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Mary
Sugar spent 11 years as a musical director,
pianist, and teacher in New York City, where she
worked on and off-Broadway, at Lincoln Center,
and in many other venues. She went around the
world as conductor/pianist for Leslie Uggams,
and did a concert-tour in Italy with Amanda McBroom
& George Ball. Mary has worked with Vanessa
Williams, Jennifer Holliday, Clay Aiken, Connie
Francis, James Naughton, Larry Gatlin, Charles
Strouse, John Kander & Fred Ebb, Sheldon Harnick,
Harvey Schmidt & Tom Jones, Marni Nixon, Geraldine
Fitzgerald, Barbara Cook, Lonny Price, Shirley
Jones, Martin Vidnovic, Sandy Duncan, Bruce Vilanche,
The Diamonds, Lillias White, Adrian Zmed, Charo,
Suzanne Kiechle, Cathy Rigby, The Irish Tenors,
The Syracuse Symphony, and many, many others.
Mary has taught at New York University, Mannes
College of Music, Fordham University, Pace University,
Musical Theater Works Conservatory, Syracuse University,
SUNY Cortland, Colgate University, Circle in the
Square Conservatory, Montgomery College and many
other places; teaching classes in musical theater
performance, scene study, and audition technique.
She also played keyboards for the national tours
of Disney’s Beauty and the Beast, The Full
Monty, Hairspray, Mamma Mia, The King and I, The
Producers, Peter Pan, Joseph and the Amazing Technicolor
Dreamcoat, Sweet Charity, Annie, Monty Python’s
Spamalot, The Music of Andrew Lloyd Webber, and
Elton John’s Aida.
Mary is now in the Washington, D.C. area, where
she has worked for The Kennedy Center for the
Performing Arts, Arena Stage, Signature Theatre,
Ford’s Theatre, Studio Theatre, the D.C.
Cabaret Network, Washington Savoyards, American
Century Theater, Montgomery College, and other
venues. She also played for The Kennedy Center’s
productions of Broadway: Three Generations and
The Music of Andrew Lloyd Webber, Studio Theatre’s
production of Adding Machine, and Arena Stage’s
production of Oklahoma.
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